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What's Going On
In The Art Room?

Free Art Workshops During Your Coronavirus Isolation

3/22/2020

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Hi Fellow Artists,

In this time of uncertainty, many of us are leaning on our art for stability and reassurance. I spent the entire day yesterday hiding from the news by completing a travel journal from my European road trip last fall. Thankfully, the art community is hugging us right back (from a safe virtual distance of course). I am amazed at the generosity and act of showing up from artists and companies around the world. I don't know about you, but I plan to take full advantage of these opportunities. Below are some of the free workshops and the like that I plan to participate in over this isolation period:
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Sketchbook Revival

This is an annual online event run by Karen Abend that just happens to be at the exact time we need it (starts Monday, March 23rd). It is a completely online creative workshop spread over two weeks with video classes each day from different artists and free gifts. I followed it loosely last year and am excited to use my extra time to actually make along with it this year. 
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SkillShare

I've loved using SkillShare in the past. Just this past January I had a great time with Peggy Dean's Gouache Florals Class. There are so many different classes on this platform, artistic, business, tech, and so so many more. Right now they are giving away a 2 month premium membership for free for those with .edu or .k12 email addresses. (PS - if you don't have one of these email addresses, you can almost always sign up for a 2 month free trial) 
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Tombow Workshops

This may not be valid for long, but Tombow is giving away one of their online workshops for free with the discount code "freeworkshop" I got the beginner Dual Brush Pen Lettering workshop and am excited to finally work on my brush lettering skills. 
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Brit + Co

This platform is new to me which makes this offer of completely free classes until March 31st irresistible! They seem to have a wide range of classes and I recognized some familiar artists on there - I'm starting with Line Drawing with Peggy Dean! Use use the code SELFCARE and have fun!
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YouTube

This is an oldie but a goodie. YouTube is a wealth of information, one I never have time to commit to. I'm going to be breaking out my beloved compass and ruler and catching up with my favorite Islamic Geometrist, Samira Mian
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ClassCentral 

Are you looking for something a little less messy and a little more academic? ClassCentral has hundreds of free classes from Roman Architecture to How to Make a Comic Book. Dive into their listings and be brought back to your school days. 
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Be Active

During all these days of isolation and hours of creation, don't forget to move! There are numerous free resources to help you including my absolute favorite yoga app, Down Dog, who is completely free until April 1st for everyone and July 1st for teachers and students. Here are a few more for you: Peloton is offering 90 days free for all of it's classes (they do more than bicycling fyi), The Daily Burn has a 30 day free trial, The Golds Gym app Goldsamp is free until the end of May. Or if you want a live class, here is a huge list of studios/gyms who are livestreaming through different platforms. 
Out of difficult times can come beautiful things, but don't put too much pressure on yourself right now (I'm looking at you moms who are trying to work with this whole homeschooling thing). We have been given the opportunity to save lives simply by staying inside. So take a rest, slow down, and find an outlet you enjoy. If you are heavy with anxiety here are some specialized resources that may be helpful to you. Or maybe just have a Netflix Party with your friends. Take care of yourself, be safe and healthy, and create something that makes you happy. 


If you hear of any other free Art Workshop resources, I'd love to add them to this list. Leave a comment below! 
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Holiday Pop-Up Centers

12/3/2019

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​There is an on-going debate about the place of holiday crafts/art within the art classroom. Usually I am on the side of making art with soul rather than to be used for short-term decoration. But, honestly, who doesn't like a good crafting session? This gal right here loves me some cute craft making every now and again. So do my students! Especially after a long semester of thoughtful creating and putting on a huge art show. So for the last class before winter break last year, I rolled out a special, one day only, Holiday Pop-Up Centers event!
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I gathered together some quick, easy, fun crafts and generated QR codes to the directions. Then I printed each page and placed on a different table in the room along with the materials that they would need. Students (grades 6-8) could choose from any of the activities and they could change activities if they wanted to. I kept it open and flexible. Put on some jazzy holiday jams in the background and it was the perfect send off to winter break. I'll be doing this again this year, most likely changing up some of the activities. 
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Here is the download of these pages if you want to print them and have your own Holiday Pop-Up Centers class. Let me know if you try it out in your classroom, and if you have any activities that would make for the perfect pop-up center. Wishing you a smooth transition to the new year! 
_holiday_pop-up_centers.pdf
File Size: 1235 kb
File Type: pdf
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TASK Party | First Day Creative Art Activity

9/11/2019

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TASK: Make a puppet, put on a puppet show with a friend
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TASK: Make a crown and crown someone
For the past 3 years I have started the school year by hosting a TASK Party in each of my classes. My students LOVE it! Every single one of them. Every single time. It is playful, fun, and creative. It gets kids up and moving and making! Which is exactly what I want on my first day back!

A TASK party is a simple concept. Participants select a task randomly out of a box and then they complete the task. Tasks are designed to promote creative thinking so they are not straight forward. The TASK Party originates from Oliver Herring. You can watch this video of his to find out more. 

Set-Up:

TASK Parties can involve a fair amount of materials consumed so I always use a large selection of recyclables. About a week before the party, I put an email out to my staff to drop off any recyclables to the art room. I always have enough to go around. I've come to realize that students don't need any fancy materials for the TASK Party, whatever you can gather up will be enough for them. In addition I allow students access to paper scraps, markers, colored pencils, scissors, and yarn. When I've allowed tape in the past, they have grossly over used it and I haven't gotten my order in yet so this year I set up one hot glue gun. It worked out just fine! This is how I ended up organizing my recycled materials for class: 
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You will also need to print out the tasks of course. I keep them in a small box on my desk so I can keep an eye on them. Below, I've included a document of tasks that I've used in the past, as well as one from Stacey Zelinger Parish. Both of these lists have been gathered from others and curated. I would recommend reading through them and editing them to best suit your population. 
task_party_2019-20.pdf
File Size: 56 kb
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task_party.pdf
File Size: 69 kb
File Type: pdf
Download File

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Expectations:

The list below are my basic expectations that I go over with the students before we begin. TASK Parties are energetic and can get a little chaotic with a lot of students moving around but the kids are always SO engaged that it has never been a problem for me. 
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Picking & Making Tasks:

The best rule that I developed was the "Put back once" rule. Meaning any time you pick a task you are allowed to put the task back ONCE and pick another one if you choose. This works so well. It gives the student a chance to change tasks if they really hate the one they pick but it avoids the situation of a student picking tasks endlessly. 
Making tasks is something I allow on a class by class basis. It is a traditional part of the task party to have participants make the tasks that others will pick. However, I found that Middle School kids tend to make tasks that are boy/girl related or designed to embarrass others, which take away from the atmosphere of the party. My classes range from 12-18 students and the amount of tasks that I have prepared are more then enough to keep them busy for an 80 minute time period. 
​Previously I've had them put the tasks in a separate box when they are finished but this year they placed them back in the same box and it worked out great. (If they picked a task they already completed, they just picked again). 

TASK Away! 

That's really all there is to it! I let students know that when they finish a task they can choose to keep what they have made or take it back apart and put it back in the materials. Some artists go through many tasks in the part and others spend the entire time on one task. Don't try and control it, as long as they are creating I'm happy. For me, the TASK parties are about CREATING without fear and having FUN! Below are some of the creations from the TASK Parties this year. 
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TASK: Find out who's birthday it was last and make them a birthday cake. Get the class to sing to them.
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TASK: Make wearable Art
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TASK: Create a garden
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TASK: Create a sunrise and a sunset
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TASK: Trace someone's shoe and turn it into a portrait of them
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TASK: Make a camera, take a selfie with a friend using it
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TASK: Create a map to your house
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TASK: Create a class pet, have someone walk it
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TASK: Create a hand and high-five your friends
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I'm not sure what this task was : )
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TASK: Create a class pet and have someone walk it
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TASK: Draw an elephant with your eyes shut
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TASK: Create a peg leg or a hook hand
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TASK: Create a tiny robot
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TASK: Turn a chair into a monster
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2019 End-of-the-Year Reflections

6/12/2019

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At the end of every school year I find myself completely rethinking my entire curriculum and all of my teaching methods. It can get frustrating seeing as this is the end of my seventh year teaching, and I would hope to have a few more things figured out by now. Yet, I feel that I am continuously growing as an educator, constantly responding to my students, reflecting on what is working and what is not. I absorb new ideas and theories in choice based art education and meld them to produce new processes of teaching and learning for the following year. This year is no different, and as artwork is leaving the classroom, counters are getting cleaned for a final time, and everyone is headed home for the summer, I thought I would take some time to write down my thoughts and reflections on the year past - as well as some ideas for the year ahead.

Room Design

  • The changes that I made in the room at the beginning of the year were instrumental in the increase of independence in students this year. Opening the Drawing, Collage, and Painting areas allowed for students to see different materials and make artistic choices based on these various options.
  • For next year I would like to work on pushing this even further. The recycled materials, fibers, and sculpture supplies need a more permanent place with better student access. Other drawers and cupboards can be cleaned out and reorganized for quicker and easier access.
  • The paper needs some consideration. Although the organization has been attempted, it continuously gets disoriented. Coming up with a better system and introducing it to the students will help with the flow of the class.
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Curriculum Units

  • This year I focused on developing two parts to most of my units, the “exploration” part with skill building, content learning, and experimenting. The second part was independent studio work time creating a final, advanced artwork. I think this format worked really well, allowing for experimentation while also working towards a finished result. Units I organized like this included Inspiration Around the Room, Abstract Art, Identity, Artist Remix, Stop-Motion Animation, Sculpture Around the Room, and Collage.
  • Although the level of scaffolding felt right for most students, I would still like to invite more play into the creative process. More sketchbook use and art journaling as well. The challenge is how to open the curriculum to student choice and ownership while providing them with guidance so they are not overwhelmed.
  • One unit I think I will ditch is the Drawing Around the Room. We didn’t have enough time after the exploration to do the second part of the unit so the learning that had happened didn’t get used and wasn’t fully absorbed. Maybe a shorter, one-day activity instead.
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Pacing 

  • I felt better about the timing throughout the year this school year (as compared to last). I was much better prepared for the winter art show and was able to pace the units fairly comfortably.
  • Overall, I still feel that I try to cram too much into the year for all of the grades. I’m thinking of seriously dialing it back. Perhaps have only one unit per semester (compared to two) with two pieces due at the end of the semester - one connected to the unit and one independent. This way we have more time for play and artwork that doesn’t connect with the content we are currently working with. ​
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Digital Portfolios

  • This year I implemented SeeSaw as digital portfolios of the student process. There are so many things I liked about this. When checking on a student’s work for my own use or when meeting with a parent, it was easy to pull up their portfolios to see their progress. It helped the students stay engaged in their own process, reminding them where they left off the week before and as a record that they could use for assessments.
  • However, it was a challenge at times to get students to complete this. Sometimes we would be rushing at the end of class and I would forget to remind them. Other times they wouldn’t have their ipad and would forget to post even if someone else took the photo for them. During the second semester, admin took notice of many zeros in the gradebook, resulting in students coming to study lab to complete make-up work.
  • I’m not sure what adjustments to make for next year on this front. Perhaps I keep the expectations the same and get better at carving out time at the end of class for students to make their posts, while checking that it was done before they leave. Or maybe I don’t grade them. Or have a set number of them due at the end of the month and put in just one grade for that. I’ll need to give more thought to this. ​
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Art Kits

  • The Art Kits were a great addition this year! Once introduced, students accessed them independently and easily. They had the supplies they needed while being responsible for their care. Students took the job of keeping track of their supplies seriously, alerting me if there was a problem with anything.
  • There certainly have been some supplies that have gone missing and I’m sure a good number of things will need to be replaced. However, I think this number will be significantly less than if the supplies had just been out for open access.
  • I’m hoping to get in paintbrush sets that I ordered for next year so I can add these to the kits. Also, sharpeners.
  • The tape that I used to number the erasers came off of them and I think most erasers got separated from their kits because of this. I’ll have to find another way to mark them. ​
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Assessments

  • Easily my biggest challenge this year was with assessments. We have it required to put in 4 Exam grades a year that are worth 50% of the student’s grade. Last year I use a studio habits of mind rubric to grade a final artwork each unit. This year I wanted the Exams to be more reflective of student learning and the creative process so I had them share evidence and reflections of their learning at the end of each unit. Although I think it showed more authentic results, the expectations may have been too high and caused many students to get low scores for lack of organization.
  • I have gotten the permission next year to put in both of my Exam grades at the end of each semester. This opens up a whole wide possibility of options for my assessments now that we have less of a time constraint. My current thoughts are to use one Exam grade for what they present in the art show (we have one in the winter and one in the spring). I want to open up the options for the show so it is more student-directed, allowing them to choose however many artworks they want to exhibit and have more ownership in how they exhibit them.
  • For the second Exam grade I would like to make it a portfolio grade, where I can assess them on all work they have created throughout the semester. Now, I’m not sure exactly how this will work. I will obviously have to create some clear expectations for what should be included (number range of final pieces, number range of experimental pieces, number range of sketchbook work, reflections, etc) but overall I am excited about transitioning to this format. If you have any suggestions, I would love to hear them. ​
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Studio Thinking

  • One great addition to my classroom this year has been Melissa Purtee’s Artist Thinking Process. It really helped us dial in on the different stages of creation. I used this the most when students were working independently on art exhibition pieces to encourage them along the way.
  • Next year I would like to think more about how I can incorporate the Studio Habits of Mind as well as the Artistic Behaviors (that is what TAB stands for after all) in my lessons, curriculum, and assessments. Kristina Smethers recently shared her version of Melissa’s Artist Thinking Process that includes the studio habits within it which I really like. I’ve also been reading through my copy of Studio Thinking (Hetland, Winner, Veenema, Sheridan) and The Open Art Room (Purtee, Sands) again. Hopefully some new beautiful connections will emerge. ​
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Overall

Overall I’m inspired by the constant growth and creativity of my students and how it continuously feeds me to become a better teacher for them. Perhaps it is the end-of-the-year whirlwind that happens, but I’m feeling lost for time right now. My main goals for next year are to slow down, open up, and be responsive to the possibilities that emerge in the studio. I want my classes to be more joyful. I hope to stop fighting with the assessment and grading expectations of my school and manipulate it to start working for me and the students. I’m not sure exactly how I’ll be able to do all of this but I’m excited about the potential. Plus, when in doubt, go back to the basics - I’ll be revisiting the foundational concepts of TAB (Teaching for Artistic Behaviors) and building from there. Until next year, have a creative and restful summer!
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Guiding Students to Independence through the Artistic Thinking Process

10/23/2018

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Each unit that goes by I try to get closer to my philosophy of choice based art education through the Teaching for Artistic Behaviours Model while still finding creative solutions to teach class wide skills and hack required exams. The closest I've come to my ideal is through the Independent Projects that I end the year with for every class. This comes after the students have already settled into the routines and expectations of the class and have their creative juices flowing from a year of creating. This year however, I'm shaking things up and offering a BIG Independent Project in quarter 2. I want to offer students more independence and choice right from the start and this is getting closer to where my curriculum needs to be to best serve them. 

"So we can make whatever we want?"

This is the main question I get asked when I present the idea of an independent project to them. And the answer is yes - mostly. Just as in other creative classes, like writing for example, I ask that students support their idea, whatever it may be, with thoughtfulness and engagement. A handful of students are excited right off the bat and furiously start scribbling down a plan, a good majority however is overcome with the Blank Canvas fear. That all encompassing whiteness that appears when too much choice is offered. This year to help guide my students in creating a major artwork I introduced the Artistic  Thinking Process (#2). 
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Created by Melissa Purtee, this is the second version of the Artistic Thinking Process that was inspired by the Design Thinking Process. Read more about her development of this on her blog Thoughts On Arting. 

30 Min Intro Activity

To first present this to the students I wanted a quick activity where they would demonstrate all of the steps of the process without even knowing it. So I set them to this task:

With your table create an artwork under the theme “happiness.” You may use your ipads for research if you need. You have 30 minutes

While you are working Ms. Blundon may give your table a colored piece of paper. If this happens please stop and write down whatever you are doing at that moment on the paper. For example “We were talking about the best way to connect the two pieces together”


I thought of a few different themes to use but at the last minute I changed to "happiness" and I'm glad I did because it was very approachable to the students but also yielded interesting results. While they were creating I walked around spying trying to overhear or see them in different stages in the Artistic Thinking Process. When I caught them in the act I gave them a slip of paper in which they wrote down exactly what they were doing at that moment.  
The papers were actually color coded to match the Artistic Thinking Process stages. When the 30 minutes had finished I introduced the Process by passing out a small copy to everyone (to put in their sketchbooks) and read through it together. After each stage I would ask who had a specific color paper, the table would read out what they had written and we would talk as a class on why it was an example of that particular stage. Here are some examples of what students wrote: 

Inspiration (Red)

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Development (Orange)

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Creation (Yellow)

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Sharing (Green)

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Reflecting (Blue)

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Independent Project

Now that they had a foundation of the process, they were ready to jump into it. We used the rest of the class time that day to focus on finding inspiration (encouraging sharing and reflecting). I asked them to have the following three questions answered when they returned next class:
​What do you plan to make?
Why do you want to make this?
How will you make this (with what materials)?
On the second day we focused completely on the Development stage. I used the suggestions on the Artistic Thinking Process diagram and added a few of my own. I put them together with examples/tutorials on this page of my website so they could easily access them independently. I asked them to choose two ways to develop their idea (they could come up with their own ways aside from my suggestions). Students really got it when I posed the question: 

"What do you need to do before you start your final piece?"

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This year we are using SeeSaw as our Process Journals to record our progress after each class. Here are a few from the development stage:
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These two students are working together to create digital fantastical drawings of their classmates. They used the development stage to create and send out a survey and start sketching some ideas. 
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As we head into the creation stage next I feel that my students are already set up for success by having an vision of the overall artistic process. I plan to add some small reflection and sharing activities along the way and will try to put them in here after I'm done. We have an exhibition coming in December and I am excited to see the diversity of artwork, subject matter, and media expand with each show. Lastly, although the 30 Min Intro Activity was not really about making an artwork I did enjoy seeing what they came up with under the theme "happiness." 
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Class Art Kits | Student Responsibility of Supplies

10/2/2018

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​As all TAB art teachers do, I am constantly thinking about the organization of the art studio and supplies. My room has a lot of challenges but it also some great things going for it. As we are starting off a new school year I wanted to try out a fresh idea: Class Art Kits.
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The idea evolved from frustrations of un-cared for supplies from last year. Specifically the drawing pens - which everyone LOVES - would go missing every class. The erasers were used as frustration relief and had constant holes stabbed in them before they disappeared all together. The teacher before me ordered a class set of gorgeous drawing pencils but I didn't dare bring them out for fear that they would be disassembled within minutes. It's not that my classes are crazy or the students don't know how to put things away properly, but when we are rushed cleaning up and getting to the next class students take shortcuts. 

Reflecting on those challenges I created these goals:
​- set up routines/expectations that help students be successful
- develop a fool proof way to set clear expectations of desirable supplies
- keep student ownership and responsibility on collecting, using, and putting away supplies
- have a clear way to keep students accountable who are misusing supplies 
- keep supplies separate from the HS students (taught be another teacher - shared classroom)

In comes the Class Art Kit. These are small kits of supplies that I developed. The Art Kits are assigned to each student in each of my classes by number. That student is responsible for the care of the supplies in the kit during their class period. If the next class finds something missing or broken, the previous student will be called in and held accountable. 
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In each Art Kit I have placed:
1 Drawing Pencil Set With 12 different pencils
1 Eraser
1 Thick Black Marker
1 0.7 Drawing Pen
1 0.5 Drawing Pen
1 0.2 Drawing Pen
1 0.05 Drawing Pen
1 Pair of Scissors

Other supplies that I am considering adding throughout the year:
Art Knife
Paint Brush Set
​Glue Stick

I also have this written on each Kit:
​Materials break and burnout naturally. If this happens while you are using it bring it to Ms. Blundon for a replacement. It is your responsibility to check your Art Kit at the start of every class to ensure that all the materials are in good condition. If they are not, see Ms. Blundon as soon as possible otherwise you may be held accountable. 

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To introduce the Art Kits, I am having each student complete this Google Form Quiz that includes them agreeing to care for and take responsibility of the supplies. 

Art Kit Quiz & Agreement

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Each material in the Kit is labeled with the Kit number. I painted the end of each drawing pencil a different color to help quickly tell the difference. It has taken a few weeks of work here and there to prep the whole Kit but I'm hoping that it will be worth it to keep supplies in good shape and teach students more responsibility. Here's hoping! 
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Inspiration Around the Room

9/19/2018

3 Comments

 
For our very first PYP unit in 5th grade this year I wanted to provide students with a foundation of generating ideas that could be referenced back throughout the year. In this unit we focused on Where Do Artists Get Ideas? and explored a range of activities leading to the development of unique, original ideas for their own artwork.  

Curriculum (PYP Talk)

​Topic:
Inspiration comes from many sources in the environment and internal investigation that sparks creativity and imagination to create. 

Conceptual Lens:
Inspiration

Key Concepts
Form, connection, function

Related Concepts
Senses, imagination, emotions, feelings, appropriation, process, materials, experimentation, exploration




​Learning Objectives:
Sources of inspiration (form)
Personal memories and feelings (connection) 
Materials and techniques through play and experimentation (form/function)
The creative process (function)

​Essential Understandings: 
Sources of inspiration:
Imagination
Observation
Experiences
Emotions
Culture
​Other Art(ists)

Essential Questions:
Where do ideas come from?
What makes a good idea?
Where do artists get ideas?

Preperation

Our very first class we spent time making a whole class mind map/web showing where ideas come from. Each table discussed it with themselves first and then shared their ideas while I wrote them on the board. This gave us a great jumping off point. 
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Then we played one of my favorite idea generating games: Quantity of Quality. The idea is to generate as many ideas as possible without worrying about if they are "good or bad." Each table got a few art books, while flipping through them students stopped at images they found interesting and then translated that image into a short phrase, ie man eating fruit, colorful mountains, mom and baby in tall field. The phrase was written on a small paper and placed in a pile in the center of the table. After about 15 minutes I collected all the papers - or idea cards as we called them - in a paper bag. Each student then drew two cards out of the bag and created an artwork in response. 
​Not only did this result in many idea cards that we can use throughout the year (especially if a student is stuck) but it was a great way to get some creative juices flowing. 
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​For homework I asked the students to bring in three pictures:
1. An artwork that inspires you
2. A quote that inspires you
3. A photo of something that is your favorite. 

Inspiration Board

With the photos that students brought in for homework, we arranged them onto a bulletin board in class as our class Inspiration Board. I love that this is 100% student generated and that it fills the room with so much inspiration. 
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Warm-Up Video

On day two I played them this quick video as a refresher from what we discussed last week. Video by fellow Art teacher, YouTube channel: Panthers Palette  

Inspiration Around the Room

The purpose of the Around the Room activities, originally developed by Cynthia Gaub, is to provide students with short exploration of media as an introduction to skills and techniques. I thought this would be a perfect set up to use as a short exploration into various sources of inspiration. I created six different "centers," each with a title and a prompt/task for students to complete. They had access to the basic drawing materials. I asked them to label each page with "Artists get inspiration from . . . " I gave them 25 minutes to complete each center and they did marvelously! Here is the break down for each center:
inspiration_around_the_room_table_signs.pdf
File Size: 44 kb
File Type: pdf
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Downloadable Table Signs 


Observation

Prompt: Choose an object out of the box. Look at it carefully. Try to draw it as realistically as you can.
​*Supply center with a box of still-life objects.

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Emotions

Prompt: Choose a card from the pile and create an artwork that expresses that emotion using only lines, shapes, and colors.
*Supply center with pastels and THESE EMOTIONAL PRINTABLE FLASH CARDS

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Experiences

Prompt: What if your life was a book or a movie? What event would be on the cover or the advertisement poster? Create a book cover or movie poster for your life.
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Culture

Prompt: Choose a news article that interests you. Create an artwork in response that that article.
*I printed off 10 very short, easy to read, current news articles from Time for Kids. You can find your own or use these

news_articles.pdf
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Imagination

Place your pen on your paper. Close your eyes and scribble for 3 seconds. Open your eyes and think of something you could turn that scribble in to. Create something new from the scribble.
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Other Art(ists)

Find an artwork that inspires you, create a new artwork of what it makes you think of (don’t copy it). 
* Supply center with a handful of art books

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Post-Centers

My post-center plan for when the students finish all the activities is to have them choose one of their artworks they made and bring it into a WOW - or finished piece. If finished in time (we will take a few weeks to work on them) the students will present them to the community at their end of unit share day. 

Teacher Take Away

I am blown away with the engagement the students are showing during these centers and the artwork that is resulting from these activities. Their creativity is booming! I'm glad we are taking our time to work through them. Some students have been finishing around 20 minutes so I may shorten the time a bit. Overall I am very happy with how this unit is shaping up and am excited to use this as a launching point for the rest of the year. 
3 Comments

Draw Around the Room

9/12/2018

14 Comments

 
Thanks to inspiration from my time at the Teaching for Artistic Behaviors Summer Institute and the workshops hosted by Cynthia Gaub, I decided to start my middle school students (grades 6-8) off this year with a Draw Around the Room. The intention of this was to provide them time to explore drawing media, some familiar and some less so, in new and playful ways while laying the groundwork for them to feel comfortable experimenting with these media. This was my set-up:
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Objective: I can explore and experiment with different drawing tools and techniques to learn more about them and develop my craft.
Warm-Up: (Every class I have a warm-up on the board for the students to start on when they enter) With your table group create a KWL chart for Drawing Media (ie colored pencils, markers, charcoal, pastels, pencils, pens). Fill out the K - what do you know already, and W - what do you want to learn, sections. *I quickly learned that having the students make the chart themselves took too much time so I made a blank template and printed it out for them so they could get right to the heart of the discussion. I've attached this chart below:
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kwl_chart_drawing.doc
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Set-Up:​ After explaining the activity, each table collected a medium and accompanying menu. It was important for me to have them do this themselves instead of having it already on the table because I want them to know where to find the media for future classes. 
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Media:​ I have six tables in my room so I chose six different media: Drawing Pencils (Set of 12), Markers (variety of thicknesses), Colored Pencils, Pastels (chalk, soft, and oil), Drawing Pens (Set of 5), and Charcoal (vine, pressed, pencil, with erasers).  
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Menus: On the menus I included the media name, definition, and some small examples. In addition there were a few questions on each for the students to think about as they were exploring. On the back side of the menus are nine different drawing techniques for the students to try out. I've included the menus here for you to download. One file is the front sides and one file is the back. I never laminate things but I did laminate these to make sure they survived all my classes. The menus and drawing techniques were inspired by Frankie Fisher. 
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draw_around_the_room_table_signs__2_.pdf
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drawing_techniques.pdf
File Size: 913 kb
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Task: Students were asked to create one page in their sketchbooks for each medium. It should include the name and definition of the medium and then a variety of experimentations made while exploring that medium. To aid them, each menu had a back side of different drawing techniques for them to try. I encouraged them to consider themselves as explorers and this as their field notebook, reminding them to take note, label marks, and write observations. 
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Teacher Take-Aways:​ Starting the year out with play and exploration feels so freeing and . . . right, even if I did have a lot of underlying structure. Some students struggled with the idea of further exploring media that they have used for years, the charcoal and pastels were definitely the most entertaining of all the medias. Overall I feel that the two classes will be very useful in the student artists' development. I am still debating on what to do next. I was considering moving on to a Paint Around the Room but I feel like this Draw Around the Room should have a larger conclusion, perhaps choosing one or more mediums to continue exploring for a week or two. All in all, the year is starting out well and I already see improvements on the choice-based curriculum I have been developing through student engagement and growth. 
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14 Comments

Internationally-Minded Interview Questions

12/16/2017

1 Comment

 
The following are four interview questions and answers based on the core values of the PYP. The goal of this was to show my understanding of international mindedness, the PYP curriculum model and its associated elements, address how learners construct meaning, express the practices and principles of inquiry, and identify the roles of reflection and collaboration. 
​What would I see walking into your PYP classroom?
 
Walking into my classroom you would see students actively engaged in inquiry. You will notice the students asking provoking questions to not only myself, but also the other students. Each participant will be absorbed in his or her learning activity, which may be different than the next, but all connect to the same experience. The learning will be being produced through experiences, activities, tasks, games, creating, etc. Discoveries are being celebrated and recorded. Students may be working independently, in small groups, or in larger (whole class) groups at any point in time. Each student knows what he or she is doing and why.
 
On the walls of my classroom you would find information and questions displayed about our current unit. In addition you would see various forms of reflection and discovery evidence related to the questions and lines of inquiry. These provocations would be open ended and globally minded, questions that revolve around large concepts but are broken down for student understanding. Student work fills up most of the display space. The classroom itself has predominately open availability with students accessing their own supplies as needed. Materials are varied and visible.
 
 
What is your role as the teacher?
 
My role as a teacher is more of the facilitator of the classroom. Yes, of course I directly teach content sometimes, but this is more in the manner of modeling behaviors and skills. Most often I guide students in furthering their investigations with the goal of students having independent control over their learning. I introduce provocations that invite questioning, learning experiences, and eventually taking action. I help students develop conclusions and move towards understanding of concepts.  I encourage discussions and curiosity through an open dialog and offer suggestions and redirections when needed. I guide students through the learning process by gathering data on what they know and what they have learned so far to better inform their learning experiences and my teaching.
 
 
What is your process of planning in your teaching?
 
The planning process of teaching is not a solitary task; collaboration is imperative. I meet with other members of the school community (team teachers, other grade level teachers, specialists, support staff, and admin) regularly to explore our plans for the learning experiences, assessments, and student’s levels of past, current, and future units. Often I have informal sessions with teachers of my same grade level. We also share planners that can be accessed at any time so we regularly see the result of our own planning combined with others. In addition this is where we share our written reflections so we can continuously work to improve our student’s learning experiences. Planning is not just a beginning, middle, end task, it is a continuous circle that is constantly being informed by students, data from assessments, other community members, and more.
 
 
How does International Mindedness influence your classroom?
 
International Mindedness is one of the core values in my teaching. The plans, activities, and skills I teach within my classroom are based off of international mindedness, which is apparent through the focus of the Learner Profile. These are attributes that are seen in internationally minded people: Thinkers, Reflective, Inquirers, Balanced, Knowledgeable, Caring, Principled, Risk-takers, Open-minded, Communicators. Through modeling, fostering, and by teaching these attributes we as educators can help mold globally respectful, critically thinking, open minded individuals. To do this I am sure to invite an open dialog about different cultures and perspectives, we study and discus important and sensitive issues with tolerance and respect. We also bring this into the activities of the classroom by having opportunities for mother tongue experiences as well as organic developments of language learning. One of the most important parts of International Mindedness is to promote action that is why in my classroom we are continuously striving to develop modes of action where we can not only think and plan solutions but also see them through. By continuing to readdress similar themes throughout their years, students can see similar ideas through different points of view and develop skills and attitudes that will support them through their learning journeys. Finally, in my classroom we not only tolerate but we celebrate differences. 
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The Teacher's Role in a PYP Classroom

12/16/2017

2 Comments

 
I’ve been intrigued by PYP since I first heard about it a few years ago, and what I had gathered about the programmee suggested that it would fit well with my teaching philosophy. I now discover that this is truly the case because both of them are routed in inquiry based learning. My approach to teaching art is based on Teaching for Artistic Behavior, a methodology that recognizes the student as the artist, the classroom as their studio, and the teacher as the facilitator. Rather than teaching students how to make art, I teach them how to be artists. I use the artists’ habits of mind (attached) as a guide to invite the students to begin thinking and acting like artists while developing technical and creative skills. In my classroom I am but one of the many sources of information, students use their devices frequently to tap the wide knowledgebase of online tutorials and inspirational images, they also often reference each other’s skills as one student emerges as a master of a material or technique. Students move fluidly between working independently, in pairs, or in small groups depending on their interests that class period.
            The physical space is a challenge in my classroom. I only teach grade 5 of the primary school (the rest of my classes are secondary) so the art classroom is primarily occupied by the teacher of grades pre-k to 4. Although I have a great relationship with the other teacher, I am not able to set the room up to my ideal since it is not my space. I have been able to put out a selection of materials. It is imperative to me and my teaching for the students to have access to and responsibility over a variety materials. Currently I have three centers open, drawing, collage, and painting. Each of these holds the respective materials for the art form and were introduced to the students so they know how to use and care for them.
            The two greatest areas where I feel I am continually developing are assessment practices and classroom management. I believe that classroom management is an always developing practice that will continue to change and adjust based on the students and their rapidly changing needs (and personalities). Assessment wise, I have gained some new insight and inspiration about assessment practices from this course and hope to have those influence my current practices.
            The article that we read, Identifying Inquiry in the k-5 classroom, was spot on for me. Almost every point it made I could directly relate to. It is helpful to have the vocabulary and educational speak to articulate the wonderful things that you already know are happening in your classroom. In summary, I believe in the teacher as the facilitator of the learning environment, students as the main drivers of their own inquiry learning, and everyone in the classroom actively engaged in independent investigations both as teachers and learners. 
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